ArtFields: Rural SC town stages 10-day arts fest

Published on NewsOK Modified: April 19, 2013 at 1:20 pm •  Published: April 19, 2013
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LAKE CITY, S.C. (AP) — An old South Carolina tobacco town working to reinvent itself as a cultural destination on Friday welcomed visitors to a 10-day arts festival that has drawn contributors from across the Southeast and is offering $100,000 in prizes.

ArtFields, featuring 400 pieces of art in both public venues and stores throughout Lake City's quaint business district, is the latest step in efforts to revitalize the town of 6,700 about midway between Columbia and Myrtle Beach. The festival's name conjures both the art and the area's fertile fields.

Lake City is home of financier Darla Moore, who has donated millions to universities in South Carolina and is one of only two women members of the Augusta National Golf Club.

She worked with foundations to restore the 1930s-era bean market building — a market that was once one of the largest in the world — into a community center after former Gov. Mark Sanford called the project pork in a proposed state budget.

The market building, other nearby renovated buildings and a green near them are the focus of a number of Artfields events continuing through April 28.

Moore said the idea for the festival came from a similar event in Grand Rapids, Mich.

"We put a team together and sat down and said 'Why don't we try to do this?' We said 'OK, the worst that happens is it doesn't work but we will certainly have a good time making it work,'" she said in a Thursday interview on Thursday.

ArtField director Karen Fowler has been working on the event since January of last year and hoped as many as 30,000 people would be drawn to Lake City.

In creating ArtFields, organizers wanted to open it to artists from around the Southeast — a group Fowler says is not really celebrated — and make sure the town's business people were invested in the event.

"We liked the idea of using the businesses as the venues. If we revitalize, we have to engage our community," she said. To sell merchants on allowing paintings on their walls and sculpture in open spaces "we had to knock on doors and then knock again."

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