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Background of 'The Daughter of Dawn'

Background of ‘The Daughter of Dawn'
by Bryan Painter Modified: July 15, 2012 at 4:51 am •  Published: July 16, 2012

Release is planned

Eventually the Oklahoma Historical Society will release DVD and Blu-ray versions of “The Daughter of Dawn,” shown above in a still photo from the film. The versions will include director's cuts on the history of the film, the Indian history and material culture depicted, the Wichita Mountains and the buffalo herd that still runs free. For more information about the film, email Bill Moore at bmoore@okhistory.org

by Bryan Painter
Assistant Local Editor
Bryan Painter, assistant local editor, has 31 years’ experience in journalism, including 22 years with the state's largest newspaper, The Oklahoman. In that time he has covered such events as the April 19, 1995 bombing of the Alfred P. Murrah...
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BACKGROUND

Film's funding

Funding for this project was provided by Lawton Community Foundation, McMahon Foundation, National Film Preservation Foundation, Oklahoma City University and Oklahoma Historical Society.

The project also is supported by the Friends of the Oklahoma Historical Society Archives and the Friends of the Oklahoma History Center.

Other background

“The first time I heard about ‘The Daughter of Dawn' was when we published an article by Leo Kelley in the Chronicles of Oklahoma about the making of this movie in the Wichita Mountains with about 300 Kiowas and Comanches,” said Bob Blackburn, the executive director of the Oklahoma Historical Society. “We knew they had brought their own material culture with them; we knew the movie had been made.”

Years later, Brian Hearn, film curator at the Oklahoma City Museum of Art, received a call from a private investigator in North Carolina who thought he had a copy of the film, “The Daughter of Dawn.” He wanted to sell it. Hearn contacted the Oklahoma Historical Society.

Negotiations with the owner went on for a period of months, Blackburn said. Then, they were able to get funding from the Lawton Community Foundation and the McMahon Foundation and purchased it.

“When we got the box there were only five of the six reels,” Blackburn said, “and we knew it had been a six-reel film. We could not show it, it was on nitrate 35 mm.”

Preserving the film

The historical society received a grant from the National Film Preservation Foundation that funded the restoration process.

It was conserved by the Film Technology Lab in Hollywood.

With the intertitles of every scene added, all six reels were included. The movie was transferred to 35 mm film, DVD and other media formats. The Academy of Motion Picture Arts and Sciences offered to house the delicate silver nitrate film, and it was transferred to the academy's vault in 2007.

Blackburn said they decided they wanted a full symphonic score. The original music composition is by David Yeagley. The score is performed by the Oklahoma City University Orchestra. Ben Nilles is the conductor, John Cross is the music editor, Mark Parker is the Dean of the School of Music and Robert Henry, the OCU President, helped Blackburn make this possible.

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