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National touring production of “Jekyll & Hyde” visits Oklahoma City

Frank Wildhorn's musical “Jekyll & Hyde” opens second half of Celebrity Attractions' 2012-13 season
BY YOUR NAME Staff Writer Modified: January 17, 2013 at 12:08 pm •  Published: January 17, 2013

A theatrical production must inform audiences what they're about to see and, ideally, waste little time doing so. In Frank Wildhorn's musical “Jekyll & Hyde,” we quickly learn that Dr. Henry Jekyll has been experimenting with the idea of trying to separate the good and evil that co-exist in everyone's personality.

Rebuffed by his hospital's board of governors after seeking permission to experiment on a patient, Jekyll takes matters into his own hands and declares that he'll subject himself to some potentially dangerous trials.

Unfortunately, “Jekyll & Hyde” delivers another 45 minutes of exposition before Jekyll ever begins his experiment. That comes as no surprise to those of us who have followed this musical's troubled journey, one that has seen countless revisions over the years. It took seven years for this musical to reach Broadway, only to be greeted with less than enthusiastic reviews.

American Idol finalist Constantine Maroulis, Grammy nominee Deborah Cox and Teal Wicks head a national touring production that is being presented locally by Celebrity Attractions. Directed by Jeff Calhoun, this version features a narrative that still gets bogged down in Leslie Bricusse's lumbering book.

And yet, there are flashes of inspiration that dare anyone to remain unaffected by this gothic melodrama, most notably when the meek and unassuming Jekyll (Maroulis) is transformed into the menacing and unpredictable Edward Hyde.

Maroulis handles this duality so successfully that one could easily be fooled into thinking there are two actors performing the musical's title characters. When Maroulis removes the tie that keeps Jekyll's hair in an unobtrusive ponytail, his alter ego's flowing locks are flipped back to reveal the sinister Hyde.

I was reminded of Ben Brantley's comment in The New York Times review of the 1997 Broadway production. “If there were a Tony award for best use of a head of hair, it would definitely go to Mr. (Robert) Cuccioli,” or, in this production, Maroulis. It's an eerie sight that is not soon forgotten thanks to Maroulis' complete investment in his characters.

The Boston Conservatory-trained Maroulis also possesses a fine voice that he intelligently shades to reveal the nuances of Jekyll and Hyde's personalities. The actor delivers an impassioned “This Is the Moment” when Jekyll begins his dangerous journey, but it's Maroulis' skillful acting that completes the transformation.

His deft ability to surprise the viewer with an unexpected entrance or an understated but compelling use of quiet terror makes Hyde a truly frightening sight. He's part Bill Sikes, part Sweeney Todd, two men you wouldn't want to meet in a dark alley.

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