Rolling Stones: New film to premiere Nov. 15 on HBO
Iconic rock band the Rolling Stones will be featured in the new film “Crossfire Hurricane,” scheduled to premiere Nov. 15 on HBO, according to a news release.
Details on the film, provided by HBO, are as follows:
“Crossfire Hurricane,” directed by Brett Morgen, provides a remarkable new perspective on the Stones’ unparalleled journey from blues-obsessed teenagers in the early ‘60s to rock royalty. It’s all here in panoramic candour, from the Marquee Club to Hyde Park, from Altamont to “Exile,” from club gigs to stadium extravaganzas.
In addition to the U.S. premiere on HBO, in the UK the film will receive a theatrical release and can be seen by Stones fans in selected cinemas across the country in the fall. It will also broadcast on BBC 2 later in the year.
With never-before-seen footage and fresh insights from the band themselves, the film will delight, shock and amaze longtime devotees, as well as another generation of fans, with its uniquely immersive style and tone. “Crossfire Hurricane” places the viewer right on the frontline of the band’s most legendary escapades.
Taking its title from a lyric in “Jumping Jack Flash,” “Crossfire Hurricane” gives the audience an intimate insight, for the first time, into exactly what it’s like to be part of the Rolling Stones, as they overcame denunciation, drugs, dissensions and death to become the definitive survivors. It’s the backstage pass to outdo them all.
The odyssey includes film from the Stones’ initial road trips and first controversies as they became the anti-Beatles, the group despised by authority because they connected and communicated with their own generation as no one else ever had. “When we got together,” says Wyman, “something magical happened, and no one could ever copy that.”
From the outset of the film, viewers know they’re in for a white-knuckle ride. No sooner had the early Stones line-up first played live under that name in the summer of 1962 than they were bigger than the venues that tried to hold them. Wyman remembers how the crowds were soon inspiring manic behaviour, especially among screaming girls, whose uncontrollable excitement was obvious as stardom beckoned for the band already earmarked as the bad guys with press headlines like ‘Would you let your daughter marry a Rolling Stone?’
Riots and the chaos of early tours are graphically depicted, as is the birth of the Jagger-Richards songwriting partnership. The many dramas they encountered are also fully addressed, including the Redlands drug bust, the descent of Brian Jones into what Richards calls “bye-bye land,” and the terror and disillusionment of 1969’s Altamont Festival.
