Oscars outcome: Sure things and tough calls


Posted March 5, 2010 by Gene Triplett Comment on this article Leave a comment

BY GENE TRIPLETT
The battle of the exes is the main event on an Oscar night that promises to be long and arduous thanks to the wisdom of Academy governors, who figured doubling the number of Best Picture nominees will boost the show’s sagging ratings.

FILE - In this film publicity file image released by Summit Entertainment, Jeremy Renner is shown in a scene from, "The Hurt Locker." The Academy of Motion Picture Arts and Sciences is considering action against a producer of "The Hurt Locker" who sent out multiple e-mails urging academy members to vote for his movie in the Oscar best-picture category and "not a $500 million film," an obvious reference to close-competitor "Avatar." (AP Photo/Summit Entertainment) ** NO SALES ** ORG XMIT: LA101
FILE - In this film publicity file image released by Summit Entertainment, Jeremy Renner is shown in a scene from, "The Hurt Locker." The Academy of Motion Picture Arts and Sciences is considering action against a producer of "The Hurt Locker" who sent out multiple e-mails urging academy members to vote for his movie in the Oscar best-picture category and "not a $500 million film," an obvious reference to close-competitor "Avatar." (AP Photo/Summit Entertainment) ** NO SALES ** ORG XMIT: LA101

It’s really down to two of the 10, with  two former spouses James Cameron and Kathryn Bigelow facing off for top pic and director prizes—unless Quentin Tarantino and his “Inglourious Basterds” spring a surprise attack.

Other top categories seem easy to call. Or are they? Here’s how I see things playing out.

Best picture

Jason Reitman’s heartbreaking and timely comedy-drama about a high-flying bachelor who fires people for a living and can’t make connections of the human kind is my favorite of all the contenders, but “Up in the Air” lost some altitude at the Golden Globes when James Cameron’s blue giant “Avatar” weighed in with its stunning technical virtuosity and novelty appeal. But it’s tied with “The Hurt Locker” in nominations (9 each), and after blowing away the competition at the BAFTA Awards in London, this taut indie war drama from producer-director Kathryn Bigelow could defuse her ex-husband’s 3-D box office rocket. Barring an “Inglourious” upset, that is.

Should win: “Up in the Air.”

Will win: “The Hurt Locker.”

FILE - In this undated file publicity image released by Fox Searchlight films, Jeff Bridges is shown in a scene from, "Crazy Heart." Country-crooning actors have a good track record at the Academy Awards, and Jeff Bridges seems poised to join the winning crowd for "Crazy Heart." (AP Photo/Fox Searchlight, Lorey Sebastian, File) ORG XMIT: NY113
FILE - In this undated file publicity image released by Fox Searchlight films, Jeff Bridges is shown in a scene from, "Crazy Heart." Country-crooning actors have a good track record at the Academy Awards, and Jeff Bridges seems poised to join the winning crowd for "Crazy Heart." (AP Photo/Fox Searchlight, Lorey Sebastian, File) ORG XMIT: NY113

Best actor

Some voters might think George Clooney was simply playing himself as the high-flying playboy of “Up in the Air,” but he actually gave the most perfectly nuanced and affecting performance of his career, imminently worthy of Academy gold. But Clooney and co-nominees Colin Firth (“A Single Man”), Morgan Freeman (“Invictus”) and Jeremy Renner (“The Hurt Locker”) will have to step aside for The Dude. Jeff Bridges has said Bad Blake, the booze-soaked, washed-up country singer he portrayed in “Crazy Heart” was a part he was born to play, and he’s right. He nailed it. After four no-wins in as many decades, it’s time to recognize His Dudeness.

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Gene Triplett is a University of Central Oklahoma journalism graduate with 36 years experience as a newspaper writer and editor. As a reporter...


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