DVD review: 'The Killer Inside Me'


Posted September 30, 2010 by Gene Triplett Comment on this article Leave a comment

“The Killer Inside Me”

When Anadarko, OK-born pulp fiction writer Jim Thompson’s fourth novel hit the revolving paperback book racks of 1952′s drugstores, supermarkets and bus stations, it sold for 25

cents a copy. You couldn’t find “The Killer Inside Me” in respectable establishments where hardbound best-sellers and highly regarded literary works were sold. The mainstream reading public just wasn’t ready for a story told from the point of view of a soft-spoken, small-town deputy sheriff whose long-repressed sadistic and homicidal urges are suddenly unleashed by a defiant, sadomasochistic prostitute. The book has since grown from underground classic to a recognized seminal masterwork of noir fiction along with many of Thompson’s other novels, although the author never enjoyed such accolades in his lifetime. Several of his books have been adapted to film, some more successfully than others  (James Foley’s “After Dark, My Sweet” and Stephen Frears’ “The Grifters,” both released in 1990, hewed closest to Thompson’s bleak vision), but none have nailed the heart of the author’s darkness more effectively than this effort by director Michael Winterbottom (“A Mighty Heart”) and screenwriter John Curran (director of “The Painted Veil,” “Stone”).

With twilit Oklahoma locations standing in for 1950s West Texas, Casey Affleck’s coolly unnerving portrayal of a deceptively pleasant country gentleman harboring monstrous, pent-up lusts, and Kate Hudson and Jessica Alba both playing brilliantly against type — the former as a longtime, love-desperate girlfriend and the latter as a fiercely independent bad girl with appetites to match the deputy’s — Winterbottom creates a love-triangle-from-hell scenario that bravely plumbs the darkest recesses of the human soul and is as heartbreakingly tragic and strangely touching as it is brutally shocking.

But most of today’s mainstream moviegoers still aren’t ready for Thompson’s style of startling and disturbingly truthful storytelling, due mainly to the film’s graphic depiction of furious physical violence, which garnered negative reviews and poor box office that were sorely undeserved. Maybe someday this superbly crafted and acted film will gain the same measure of cult appreciation that Thompson’s haunting book finally achieved.

— Gene Triplett





If you prefer your thoughts to appear in The Oklahoman's Opinion section, we encourage you to submit a letter to the editor.

Smiley face
ENTERTAINMENT EDITOR
 |   | 

Gene Triplett is a University of Central Oklahoma journalism graduate with 36 years experience as a newspaper writer and editor. As a reporter...


Advertisement