Films offer good Halloween scares
BY GENE TRIPLETT
When the trick-or-treat traffic finally trickles away and all the little ghosts and goblins have gone home to bed, here’s some recommended home theater viewing for foot-weary doorbell
“Universal Classic Monsters: The Essential Collection” — The kings (and queen) of cinema creeps are gathered in one big spooky box and in high definition here, including Tod Browning’s “Dracula” (1931), James Whale’s triumvirate of “Frankenstein” (1931), “The Invisible Man” (1933) and “The Bride of Frankenstein” (1935), Karl Freund’s “The Mummy” (1932), George Waggner’s “The Wolf Man” (1941), Rupert Julian’s “The Phantom of the Opera” (1925), and Jack Arnold’s “Creature from the Black Lagoon” (1954). Throw in a 48 page book, 12 hours of extras and a 2- and 3-D version of “Creature” and it’s like ol’ Drac said: “Children of the night. What music they make.”
“Jeepers Creepers” (2001) — A brother and sister driving home for spring break are set upon by an evil being in a souped up, rusted-out armored truck after they witness him tossing canvas-wrapped bodies down a dark hole outside a deserted rural church. Writer-director Victor Salva’s highway nightmare gets a bit mean-spirited and gory in the latter half, but the film is well crafted, fast-paced and dead-on
“Wolf” (1994) — Director Mike Nichols’ stylish, smart and sexy adult entry in the monster genre has Jack Nicholson as an aging New York book publisher being edged out of his job by an ambitious and unscrupulous young newcomer (James Spader), when a bite from a wolf changes his life (not to mentions his shape, senses and appetites) and puts him in surprisingly good stead with his
“The Evil Dead”/Evil Dead II” (1983,1987) — Bruce Campbell became a cult star when he strapped a chainsaw on his half-severed arm, fired it up and cried “Groovy!” with vengeful delight. The low-budget original and its sequel, which was really a slicker and funnier remake of the first installment, made writer-director Sam Raimi (“Spider Man”) a star as well, with its story of college students weekending in a rural shack where they accidentally awaken an onslaught of demons. This is a wrecking-derby of jarring jolts enhanced by speed-demon Steadicam, acrobatic lens work and over-the-top violence that’s really fun — if you get the joke.
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