Movie review: ‘The Sitter’ showcases Jonah Hill’s schlubby appeal
In critics’ shorthand, “The Sitter” can be quickly described as “After Hours” meets “Adventures in Babysitting.” This mash-up of elements from Martin Scorsese’s edgy 1985 gambol through Manhattan’s midnight underbelly and Chris Columbus’ larky 1987 kids and teens escapade adds up to an R-rated comedy that’s an uncomfortable blending of rough and cuddly.
As a star vehicle for Jonah Hill (“Superbad”), a schlubby Everyman whose comic lineage runs from Fatty Arbuckle through John Belushi, John Candy and Chris Farley, this shambling comedy offers up an escalating series of absurd, ill-considered situations that get more bizarre, convoluted and implausible as the night rolls on.
The farcical, far-fetched story by first-time scripters Brian Gatewood and Alessandro Tanaka casts Hill as a likable, wiseacre slacker named Noah Griffin, who has been kicked out of college and lives at home with his desperate-to-date single mom (Jessica Hecht). To facilitate his mother’s big night out, Noah reluctantly agrees to babysit the kids next door and finds himself in charge of an adolescent trio of dysfunctional little terrors.
There’s the jittery Slater (Max Records of “Where the Wild Things Are”), a pill-popping neurotic with serious issues about his budding sexuality; tart little sister Blithe (precocious newcomer Landry Bender), a foul-mouthed, mascara-ed, pint-sized party girl, and adopted brother Rodrigo (Kevin Hernandez), a surly little sociopath with a penchant for dropping cherry bombs down toilets.
As the sitter and his unruly charges settle in for an uneasy evening of TV watching, Noah gets a call from his supposed “girlfriend,” the manipulative diva Marisa (Ari Graynor) urging him to join her at a hip downtown party – oh, and to pick up some nose candy along the way.
So Noah decides it’s a good idea to load his three charges into their dad’s pristine minivan and head out into the night to score some drugs.
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