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Concert review: Fleetwood Mac at the BOK -- better live now than ever?

BY GEORGE LANG Modified: May 2, 2013 at 5:13 am •  Published: May 2, 2013

There is a great argument to be made, one completely supported by Fleetwood Mac's immensely skilled and generous Wednesday performance at Tulsa's BOK Center, that Lindsey Buckingham, Stevie Nicks, John McVie and Mick Fleetwood are better live performers now than when they were the biggest band in the world.

Listen to 1980's "Fleetwood Mac Live," and it sounds like a talented, enormously successful band exhausted by its circumstances and frayed at the edges. But 33 years later, in front of 20,000 fans, Buckingham and Nicks sounded completely engaged with both the audience and the music they've made together for more than four decades.

Undoubtedly, the reasons for Fleetwood Mac's current excellence have as much to do with history markers as they do with their present. Earlier this year, singer-guitarist Buckingham oversaw the remastering and release of an expanded version of the album that made them superstars, 1977's "Rumours," and they started their BOK Center show with three huge songs from that album: "Second Hand News," "The Chain" and "Dreams." Nicks sounded great -- no key changes were needed to accommodate aging vocal cords -- and her enthusiasm for taking her first lead of the evening on "Dreams" was made clear when she told the crowd, "This party starts now!"

Buckingham seemed similarly proud on the next song, "Sad Angel." The lead track on "Extended Play," the four-song EP released Tuesday on iTunes, "Sad Angel" might be a song about Buckingham's difficulty in persuading Nicks to record new material, but the uptempo song felt celebratory and meshed well with the classic songs that preceded it, and Buckingham seemed energized by the performance and the audience's response.

Nicks returned to her storied classics with 1975's "Rhiannon," then the band dipped heavily into the masterfully ramshackle 1979 album "Tusk," and Buckingham was in his zone. He ripped through "Not That Funny" and "Tusk," then ceded the spotlight to Nicks for "Sisters of the Moon" and a lovely version of "Sara."

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