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Concert review: Taylor Swift brings "Fearless" show to Ford Center

By BRANDY MCDONNELL Entertainment Writer - Modified: April 1, 2010 at 2:28 pm •  Published: April 1, 2010
Music sensation Taylor Swift again proved her undeniable talent for tapping the keen longings of adolescence with her crowd-thrilling concert Wednesday night at the Ford Center.

Just as the 20-year-old singer-songwriter pens her chart-toppers with a clear awareness of the power of young love and heartbreak, Swift’s cannily plotted show plays out like the ultimate fantasy concert for girls eager to see their favorite star live. The “Fearless 2010 Tour” is packed with teen-pleasing theatrics, from confetti cannons and costume changes to sweet acoustic ballads and chair-flinging rebellion.

To be honest, the four-time Grammy Award winner worked much harder than needed to ensure the sell-out crowd went home happy. The adoring Ford Center audience, dominated by parents escorting girls ranging from preschoolers to teenagers, squealed its approval practically every time Swift tossed her signature blond locks (which she did often), hoisted her spangly guitar, started or finished a song on her hit parade. Even the appearance of the Taylor Swift logo on the huge video screens induced eardrum-piercing shrieks of anticipation.

From the opening number, Swift set the stage for her version of the ultimate “High School Musical.” The stage-concealing curtain depicting a romantic ballroom fell away to reveal six dancers dressed as cheerleaders, vast video screens simulating lockers and Swift’s seven-piece band clad in marching uniforms. Swift emerged at the top of the towering stage dressed in full drum majorette garb and conducted the arena through her fist-pumping teen anthem “You Belong With Me.”

She quickly shed her uniform in favor of her usual short sparkling dress and coordinating boots — a fashion statement copied by many of her fans — and skipped across the stage playing her guitar and singing the infectious “Our Song.”

With the fans shouting along with every lyric, the annoying echo that plagued the venue during opening acts Gloriana and Kellie Pickler was less noticeable. What was clearly noticeable is that Swift is obviously more comfortable singing at an actual concert than on a televised awards show. She is far from a powerhouse singer on par with Reba McEntire or Carrie Underwood, but her vocals sounded strong and sure for the majority of her two-hour set.

She showed off her respectable singing abilities during a mostly acoustic second act. While a funny video segment poking fun at her habiting of naming names in her breakup songs distracted the audience, Swift emerged at the entrance to one of the lower level sections to croon “Hey Stephen.” With the rhythm section playing an extended solo, she slowly made her way through the crowd, hugging practically every fan within reach as she descended to the arena floor.

Perched on a stool on a small platform at the opposite end of the arena from her stage, she crooned her bittersweet ballads “Fifteen” and “Tim McGraw,” songs that got the crowd ardently singing along. As she worked her way back to the stage, she again hugged fans, squeezed their outstretched hands and scrawled quick autographs.