CD review: Gov't Mule 'Shout!'

But this whole idea behind “Shout!” — the band playing its new material on one disc, and bringing in big stars to cover the same songs on the bonus disc — is a conceit that will leave many fans conking out on the couch midway through the program, their headphones all askew as they snore away.
BY GENE TRIPLETT Entertainment Editor etriplett@opubco.com Published: September 27, 2013
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ROCK

Gov't Mule ‘Shout!' (Blue Note)

It must take some kind of tall artistic fearlessness to put out a double-disc package of new material with Disc 1 containing your own versions of your new songs, and Disc 2 featuring some of the most gifted players in the business offering their own interpretations.

On “Shout!,” Gov't Mule's first studio album in four years, frontman Warren Haynes is running the risk of being outdone on his own stuff by the likes of Elvis Costello, Dr. John, Ben Harper, Toots Hibbert, Glenn Hughes, My Morning Jacket's Jim James, Myles Kennedy, Dave Matthews, Grace Potter, Ty Taylor and Steve Winwood.

Example: Opening track “World Boss” is a hip-shaking cosmic R&B workout in the hands of Haynes and company. Meanwhile on Disc 2, Harper's highly polished, groove-centric funk 'n' soul is tight and competent but does little to improve on the Mulish original. So, Haynes is safe there.

However, Dr. John's growling vocals and swamp-rocking voodoo guitar and organ take on “Stoop So Low” has a certain gator-sharp bite that the Mule's model just doesn't achieve. And Potter brings the kind of dead-on, deeply-needed woman's touch to the steamy and heartfelt, slow-tumbling love rock ballad “Whisper in Your Soul” that the macho Mule just can't whip into shape.

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