NEW YORK (AP) — Elaine Stritch would rather get on with it.
The 88-year-old Broadway legend and New York icon — as much a fixture as the Statue of Liberty, but with a whole lot more to say — has made her way slowly into the Chelsea theater where the documentary "Elaine Stritch: Shoot Me" was premiering Friday at the Tribeca Film Festival.
Led to a green room before the show starts, she's displeased about the seating options, and, coming off a hip surgery, would prefer to go directly into the theater. She isn't shy about it. First, though, she grips a reporter by the forearm, fixes her gaze on him, and says in that unmistakable, feisty voice:
"There are ways around my life, if you know what I mean."
She has lived a full one, from defining performances of Stephen Sondheim tunes on Broadway to the Tony- and Emmy-winning one-woman show "Elaine Stritch: At Liberty" to her memorable guest appearances on "30 Rock." She's New York show business, personified.
"Shoot Me," directed by Chiemi Karasawa, captures Stritch off the stage, but no less theatrical. Just walking down the street on her Upper East Side neighborhood, Stritch is entertaining. The film — one of the best at Tribeca — follows her around as she makes plans to move back home to Michigan, thinks about winding down her career, and generally reacts with anger, frustration and acceptance at her increasingly evident mortality.
As in everything else, Stritch makes no bones about her opinion of the unadorned portrait of her in "Shoot Me."
"I'm not going to comment," she says, before doing so. "It's not my cup of tea on a warm afternoon in May. I'd like to be do doing something else but complaining about my life, and that's a lot of what I was doing. But I think I had a right to."
Karasawa, a veteran documentary producer and former script supervisor, came to make the film (her directorial debut) through sharing a hairdresser with Stritch. It was the hairdresser who first suggested Karasawa make a documentary on the cabaret grande dame. An introduction was made. Others vouched for her.
"It took some prodding," says Karasawa. "She'd tell me to call and then I'd call and she wouldn't remember who I was."
Along with interviews with Tina Fey, Alec Baldwin (who has joined the film as a producer), and her longtime musical companion, Rob Bowman, "Shoot Me" is mostly just Stritch — irascible and vulnerable — going about her days with brassy humor and undaunted energy.
Stritch's "At Liberty" was memorably documented in an award-winning HBO film, and D.A. Pennebaker's "Company: Original Cast Album" (1970) showed her wildly wrestling to record "The Ladies Who Lunch." But Karasawa wanted to an inversion of that, an off-stage picture of Stritch.