Hornets left big shoes for new team to fill
Hornets left big shoes for new team to fill
By Berry Tramel
Published: July 13, 2008
Oklahoma City has a permanent NBA team because it first had a temporary NBA team. No debate about that.
The Hornets experiment gave OKC a precious tryout, and Oklahomans made the most of that showcase. Now comes the potential downside to that two-year test run. The Hornets, who didn't always play elite basketball but always produced elite entertainment, left some mighty big shoes to fill. That's Clay Bennett's biggest mission in these infant days of his franchise's move to his hometown. The basketball will boom or bust on the heads and shoulders of Sam Presti, P.J. Carlesimo and Kevin Durant. The business side will boom automatically for a year or three. But Bennett can most affect his franchise with his mandates and hirings on the entertainment side of headquarters. Can he make sure the Ford Center is as much fun for the Not-the-Sonics as it was for the Hornets? Easier said than done. NBA officials will admit privately that some franchises are way ahead of others in fan amusement. And the Hornets are near the league's best. Which usually is no huge deal if you only frequent one NBA arena. T-Wolves fans don't get down to Orlando that often. Jazz fans are rare in Chicago's United Center. You've got what you've got in your home precinct and you don't know any better. But Oklahoma City is different. We're about to experience a game presentation from another franchise while the Hornets remain fresh in memory. Comparisons are certain. Anything less than the Hornets' standard will be considered inadequate. And it's not as easy as just duplicating the Hornets' music and promos and skits. Like in almost everything else, people make the difference. Josh Richardson was the Hornets' director of game presentation in Oklahoma City and does the same in New Orleans. "If he's not the best in the league, he's in the top two or three,” said Michael Thompson, who was the Hornets' director of corporate communications until taking the same job with the Charlotte Bobcats earlier this year. "Josh gets it. He understands NBA games are about the fans and NBA games are about entertainment. Certainly basketball is the most important element of that entertainment. "But you can't predict wins and losses. You need to be able to entertain fans at all times.” The Hornets certainly did that, with their dance cam and kiss cam, their outrageous halftime acts and stunts with Hugo the Hornet, their clever use of music and video. All teams produce similar stunts, but some presentations are better than others. "I love the challenge,” Richardson said. "We try to entertain fans from the minute they walk in to the time they leave. That's our goal.” Two recommendations for Bennett: 1. Try to hire away Richardson, and Thompson, for that matter, who as the Hornets' public-address announcer became a familiar voice to all those smiling fans. 2. Make entertainment an absolute commitment. No shortcuts in budget or time or attitude. Both Richardson and Thompson expressed contentment in their current jobs, but no reason why Bennett couldn't find their equals. And maybe more important than No. 1 is No. 2. If Bennett sets the tone, the entertainment will follow. Thompson said the Hornets' game presentation starts at the top, with owner George Shinn. "That was always his focus,” Thompson said. True story, Thompson says. Shinn will message Richardson during a game with tips. "Woman with a great sign in Section 118.” "George is constantly watching those things,” Thompson said. "Not all owners have that focus. That's a real point of emphasis.” It must be a point of emphasis for the new team playing in the Ford Center. Bennett surely knows that, having sat courtside for a bunch of Hornet games, watching some basketball and having a good time.Toolbar sponsored by: David Stanley Ford


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