Inn revives architectural icon and downtown Bartlesville
By Chris Brawley Morgan
Published: June 17, 2006
BARTLESVILLE — As
an office building for
1950s workers, the Price
Tower didn't always
work. As an architectural icon turned high-style hotel, the Price
Tower seems to have
landed the perfect job.
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The landmark's late-
life career change has
helped reinvigorate
Bartlesville itself. Restaurants, Rogers State
University and retail
businesses also have
opened downtown,
where the Price Tower
is located. In the last six
months, city officials
have announced 1,500
jobs will be created or
moved here, a coup for
this once-struggling
northeastern Oklahoma
city of 35,000 people.
And then there's the
constant stream of
Frank Lloyd Wright
fans, who travel to Bartlesville to stay in the
legendary architect's
only skyscraper and the
only Wright building to
be turned into a hotel.
"People pop in from
literally all over the
world. They want to see
it. They want to be inside it. They want to
walk in it. They want to
sleep in it," said Jim
Fram, president of the
Bartlesville Area Chamber of Commerce.
"This has really put
Bartlesville on the map."
Right now, in its third year as a hotel, the Inn at
Price Tower's occupancy rate is nearly 35 percent — though it is usually full on weekends and during special events.
"We are a non-profit running a
hotel. And hospitality is a tough
field. We are doing it better
each month," said Richard P.
Townsend, executive director
and chief executive officer, Price
Tower Arts Center.
Next year, Wright enthusiasts,
business travelers and curious tourists should lift the occupancy rate to
45 percent, at which point the hotel
will begin to be self-sustaining. After
that, the hotel could generate about
$100,000 annually for the nonprofit
parent organization, the Price Tower
Arts Center, Townsend said. "It's a
great paradigm. But I wouldn't say it
hasn't been a challenge."
The Price Tower has been both a
challenge and an architectural wonder since it was built 50 years ago.
The 19-story Price Tower features
a "tap root" structure, with the floors
cantilevered off a vertical core.
Wright created the plan for a 1929
New York project that was never
built. Wright declared that the Price
Tower, with its green copper paneled sides, was "the tree that escaped the crowded forest."
Bill Creel worked for the H.C.
Price Co., which built oil and gas
pipelines, when the company moved
into the Price Tower in 1956. Employees immediately embraced the
panoramic views.
Creel said he often worked on the
weekends and almost as often would
run into groups of people staring up
at the Price Tower. "They were from
all over the world."
But there was a downside. "We always had a little trouble with the air
conditioning. The elevators were a
little crowded," Creel said.
Not only are these elevators the
smallest most people have ever seen
in this country — three adults are a
crowd — but like most spaces in the
Price Tower, the elevators are configured with a series of angles.
The Price Tower was listed on the
National Register of Historic Places
in 1974. Several years later, the Price
Co. moved to Dallas.
Phillips Petroleum Co. purchased
the tower in 1981; two years later,
the landmark building won the
American Institute of Architects
Twenty-Five Year Award, which recognizes architectural design of enduring significance.
Phillips helped refurbish the Price
Tower before donating it to the Price
Tower Arts Center in 2001.
In 2003, the Inn at Price Tower debuted. New York architect Wendy
Evans Joseph transformed former offices and apartments into 21 hotel
rooms and suites. Avoiding "Fake
Lloyd Wright," her designs pay tribute to Wright's style — but are comfortable. Accents on the furniture,
the light fixtures, even the toilet paper holders, are gleaming copper, a
link to the patinaed version on the
outside edge of the building.
The double-occupancy room price
of $145 a night includes continental
breakfast in the Copper restaurant
and admission to the art gallery and
tour of the top floors. The tour features Harold Price's penthouse office
in its original condition, though a
little faded from sunlight.
The Price Tower experience is so
unique that the scrapbook compiled
by the local Chamber of Commerce
includes stories from both national
and international newspapers.
Townsend said, "The Price Tower
is an Oklahoma treasure. We represent Oklahoma and its cultural
riches to the world."
Arts center officials are planning
now for the "next landmark, " a museum facility adjacent to the Price
Tower and designed by another
world-famous architect, Zaha Hadid,
who is based in London. The $30
million project, however, means
more fund raising, Townsend said.
The tower generated about
$800,000 in taxable income last year,
as well as provided 35 jobs, Townsend said.
If 2006 goes as expected, Bartlesville's hotel and motel tax collections
will have increased by about
$100,000 — to $316,000 — since
1999, according to the Bartlesville
convention and visitors bureau.
Bartlesville is booming, and part
of the reason is the "vitality" of the
Price Tower Arts Center, Mayor Julie Daniels said.
"On any given day," the mayor
said, "I can drive down there and I
can see someone standing there and
taking a picture of the Price Tower."
Wright chairs called catapults
Price Tower employees were "victimized by the impractical," a 1956 Business Week magazine declared.
Bill Creel said it was true that most employees didn't care for the
Wright-designed desk chairs with the hexagon-shaped backs. "You were always leaning forward. They catapulted you into your work," Creel said.
The Price firm was a "great, great company" to work for, Creel said, and
company leaders gave their employees the option of replacing the Wright
chairs with more basic mass-produced versions. The Wright chairs "just disappeared. The last one I heard just sold at an auction for $40,000," Creel said.
Art applied to iconic American form
Completed in 1956, the Price Tower is the only true skyscraper Frank
Lloyd Wright designed that was ever constructed. The 221-foot highrise is a
jewel on the prairie, the culmination of the architect's long-held vision to
build a uniquely modern skyscraper in the American landscape. Wright approached the project as he did all others, with the intention of creating a Gesamtkunstwerk, or total work of art. In what is considered a rare
achievement, he convincingly applied this concept to the most iconic of all
American building forms.
Business Writer Chris Brawley Morgan and the National Building Museum