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International photographic show engages the environment

For The Oklahoman
Modified: October 31, 2012 at 2:36 pm •  Published: October 31, 2012

photo - E.CO Supay Fotos. Photo courtesy of [Artspace] at Untitled
E.CO Supay Fotos. Photo courtesy of [Artspace] at Untitled

There are some strong and striking pictures — attributed to photographic collectives rather than individuals — in the “E.CO” show of photographs that engage the environment at [Artspace] at Untitled, 1 NE 3.

Curated by Claudi Carreras, the show is presented by the Spanish Ministry of Culture, the Embassy of Spain, and the Spain-USA Foundation, in conjunction with [Artspace] at Untitled.

“Pandora” is the aptly chosen name of a collective of Spanish photographers addressing the issue of “electronic waste.”

The collective’s imagery makes us wonder if Pandora’s mythical box is in a giant pile of appliances, or is one of the computer or television monitors being broken apart by two men with small sledge hammers.

Chinese bicycle riders in tight outfits inscribed with the word “Nophoto” — the name of another Spanish collective — seem to be trying to ride over a large pile of rubble, or in circles on a building’s roof.

The pictures were taken in Wuhan, one of China’s most polluted cities, a gallery note informs us.

Even more ironic and hard-hitting are eight large black-and-white pictures of stuffed bird and animal “Pets” by members of Portugal’s first photographic collective, “Kameraphoto.”

Many of these stuffed creatures not only represent endangered species in the wild, but seem in danger of decaying, often in bizarre fashion, due to “bad taxidermic practices” as well.

Perhaps the most intriguing single “Pets” image, however, is that of a house cat that seems almost alive, as it places its front paws on a pillow, and looks up at us or the camera.v

An anguished woman holding an umbrella in a Sao Paulo crowd becomes a symbol of the negative consequences of excessive “Rain,” in a large color picture from Brazil’s “Cia de Foto” collective.

The high rainfall amounts were the result of global warming of Atlantic waters, a text, accompanying the Brazilian collective’s photo-essay, indicates.

Almost equally eye-catching are the butterflies on a man’s bare chest in a giant color picture from “Border,” a photographic essay by a collective of press photographers in Peru, called Supay Fotos.

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