Jerrod Niemann hopes to 'Free the Music' on his new album

By Brandy McDonnell | Published: November 9, 2012

This Aug. 13, 2012, file photo shows country music singer Jerrod Niemann in Nashville, Tenn. Niemann’s latest album "Free The Music," was released Oct. 2.  AP file Photo
This Aug. 13, 2012, file photo shows country music singer Jerrod Niemann in Nashville, Tenn. Niemann’s latest album "Free The Music," was released Oct. 2. AP file Photo

“If you listen to ‘Real Women Drink Beer' again with your headphones in on the verses, take out one headphone and you'll hear a reggae band in one ear. Put it in the other ear and take out the other one, you'll hear a rockabilly band. Put 'em in together and you'll never know the difference. And it's just my point of showing just how similar we really are, as much as we hate to all admit it,” he added with a laugh.

For Niemann, who majored in Performance Art Technology at South Plains College in Levelland, Texas, such experimentation is nothing new. After all, his breakthrough No. 1 single “Lover, Lover” had a distinctive doo-wop vibe, while the Top 5 follow-up “What Do You Want” punctuated its breakup pain with Latin-flavored percussion.

“First and foremost, I would never want to be considered anything other than a country artist ... but there's nothing wrong with challenging people to listen a little differently,” he said.

While he looks up to game-changing country music legends like Willie Nelson, Waylon Jennings and Garth Brooks — he co-wrote the Oklahoman's smash “Good Ride Cowboy” — Niemann doesn't want to mimic their singular styles.

“Here's the deal: You gotta be somebody, so you might as well be yourself,” he said.

“It's OK to look up to ‘em and say, ‘Hey, you know what, I'm gonna do this differently and we'll see what happens.'”

Despite the chart and critical success of his major-label debut, Niemann didn't fret about the sophomore slump over the two years he spent making its risk-taking successor.

“You know, the sophomore slump in my mind doesn't even exist. I mean, if we sold one album and my mom bought it, then that would be fine, just because I made the music that I love,” he said.

“I remember when I was lucky enough to do ‘Good Ride Cowboy' ... I had a guy say, ‘Man, how're you gonna top that: a No. 1 hit with Garth Brooks?' And I was like, ‘Man, I really don't have to top it.' It's about adding to what you're trying to accomplish.”

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