Lyric Theatre continues season with “Sweet Charity”

Oklahoma native Milena Govich returns to Lyric Theatre to star in “Sweet Charity”
BY RICK ROGERS rrogers@opubco.com Modified: July 6, 2012 at 5:09 pm •  Published: July 8, 2012

Charity Hope Valentine's love life might be compared to a hotel's revolving door. A guy checks in, a romantic relationship blossoms and everything seems rosy for a while. But then the inevitable happens. The romance fizzles and the guy dumps Charity. She's the perennial bridesmaid who never makes it to the altar.

Since the Cy Coleman/Dorothy Fields musical made its Broadway premiere in 1966, “Sweet Charity” has enticed accomplished actresses hoping to play the title character, from Gwen Verdon and Juliet Prowse to Debbie Allen and Christina Applegate.

Lyric Theatre continues its 50th season this week with a production of “Sweet Charity” directed by Ashley Wells and starring Milena Govich. Not seen on the Lyric stage since 1982, “Sweet Charity” will also feature Vanita Harbour as Helene, Kathryn Mowat Murphy as Nickie and Jamison Stern as Charlie, Vittorio and Oscar. Randy Slovacek choreographs and David Andrews Rogers is music director.

Being cast as Charity was an unexpected surprise for Govich. Daughter of University of Central Oklahoma voice professor Marilyn Govich, the Los Angeles-based actress was back in Oklahoma last summer to watch her younger brother Mateja star as Tateh in the Lyric Theatre production of “Ragtime.”

“Despite the sheer terror it evokes, I said yes when (Lyric artistic director) Michael Baron asked if I'd be interested,” Govich said. “It's such a thrill. You get to be the heroine in a Neil Simon play, you're kicking over your head and doing all this awesome stylized (Bob) Fosse choreography.

“On top of that, you get to sing great Cy Coleman songs. It stretches every part of your range. There's also a lot of physical comedy which you really can't prepare for in advance because it reads differently than it plays. But we all came in having rehearsed the show in our own heads. Lyric offers us a very open environment to try different things.”

Wells' invitation to direct this production was also unexpected. She's choreographed several past Lyric productions and has also served as an associate artistic director. The famous phrase uttered by so many seasoned actors also applies to choreographers: “What I'd really like to do is direct.”



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