Movie review: 'Argo'

“Argo” is a no-nonsense and quietly stunning film that could play as a dark satire of covert ops and diplomacy, but it's all true — even the elements that look like Hollywood exaggeration.
Oklahoman Published: October 12, 2012

In “Argo,” director and star Ben Affleck creates an utterly disarming and believable depiction of what happens during a life and death crisis: Both the rescuers and the rescued in this true story about the C.I.A.'s mission to “exfiltrate” six embassy workers in 1980 during the Iran Hostage Crisis experience unfathomable tension and fear and doubts, and treat their wounds with the unsavory salve of gallows humor. This is a no-nonsense and quietly stunning film that could play as a dark satire of covert ops and diplomacy, but it's all true — even the elements that look like Hollywood exaggeration — which is part of what gives “Argo” its power.

In 1979, after Mohammed Reza Pahlavi was deposed as Iran's last Shah, militant followers of Ayatollah Khomeini stormed the U.S. embassy in Tehran and took 52 Americans hostage, creating an international crisis that unfolded over the course of 444 days. During the siege, six Americans managed to escape the compound, finding safety in the home of Canadian Ambassador Ken Taylor (played by Victor Garber). The Canadians alerted the C.I.A. via secure, back channel messages, and while the six embassy workers (Tate Donovan, Clea DuVall, Rory Cochrane, Christopher Denham, Kerry Bishe and Scoot McNairy) were safe for the moment, Iran's revolutionaries were piecing together shredded photos and documents seized from the embassy, information that would ultimately lead to capturing the six refugees.

In Washington, D.C., C.I.A. officials mulled several plans for pulling these six people to safety, but the danger of the operation rendered most of these ideas unfeasible. But Tony Mendez (Affleck), a veteran of the C.I.A.'s disguises division who was then overseeing the production of false travel documents for agents, put forward a bizarre but utterly workable plan. Mendez proposed creating a false front: a Canadian film crew scouting locations for a science-fiction movie.

With help from John Chambers (John Goodman), a movie makeup artist who worked on “Star Trek” and “Battle for the Planet of the Apes,” and producer Lester Siegel (Alan Arkin), Mendez secured an unproduced screenplay called “Argo” and established Studio 6, a shell production house, as a cover story. Mendez then flew to Tehran, armed with stories in trade papers about the film, and schooled the refugees on their new identities as director, producer, director of photography and so on, and distributed false travel papers. The key struggle for Mendez and the six people in his care was getting out of Tehran before the militants could discover their true identities.



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MOVIE REVIEW

‘Argo'

R2:004 stars

Starring: Ben Affleck, Alan Arkin, Bryan Cranston, John Goodman, Victor Garber. (Language and some violent images)

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