Studio managers Paula Salvatore and Shivaun O'Brian, producers and recording engineers and others recall launching Springfield's career by convincing him to let Pat Benatar's guitarist-husband do the guitar tracks on “Jesse's Girl,” creating a blockbuster hit.
“Sound City” encapsulates the digital recording revolution that put most sound studios out of business, and the last third of the film, with artists such as McCartney, Springfield and Fear frontman Lee Ving recording new songs on the old console, drags and makes the movie lose its way. But it's still a passion project, in all the best ways — a jaunty, juicy ramble through music history.
— Roger Moore, MCT Information Services
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