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No longer mere accessory, shoes move center stage

LEANNE ITALIE
The Associated Press
Modified: February 22, 2013 at 3:32 pm •  Published: February 22, 2013
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photo - This Feb. 11, 2013 photo shows a shoe, designed by Masaya Kushino, and made with lacquered Japanese cypress wood, human hair, and lace, displayed at the
This Feb. 11, 2013 photo shows a shoe, designed by Masaya Kushino, and made with lacquered Japanese cypress wood, human hair, and lace, displayed at the "Shoe Obsession" exhibit at The Museum at the Fashion Institute of Technology Museum in New York. The exhibition, showing off 153 specimens, runs through April 13. (AP Photo/Kathy Willens)

Shoes are having a 21st century moment as they've pushed from mere accessory to the center of the fashion stage.

Sexuality, social status, fashion IQ: The reasons for our shoe obsession are many, but one thing's for sure: more, and more avant-garde, designers are taking on the feet.

"There has been a big emphasis on high designer shoes in the past 10 to 12 years, so more women are certainly willing to spend more money on high-end shoes, but there's also been a real focus on shoes as art pieces," said Colleen Hill, assistant curator of accessories for The Museum at the Fashion Institute of Technology.

The museum went directly to the source — a Who's Who of shoe designers and some high-profile collectors — for "Shoe Obsession," an exhibition that runs through April 13.

Outlandish beer heiress Daphne Guinness lent some of her favorites. So did jewelry designer Lynn Ban, who owns roughly 800 pairs and says, "I've worn them all, at least once."

The exhibition shows off 153 specimens, mostly from this century, including Ban's silver-platform Chanels with handguns for heels (They came with a warning against packing them in carry-on luggage when flying). From the eerie, bone-white Exoskeleton made of resin and produced through 3-D digital printing by Janina Alleyne to the disco-ballish silver sparklers without a heel by Giuseppe Zanotti (also Ban's); nary a style is left unrepresented by FIT.

Hill and Valerie Steele, director and chief curator of the museum, have co-written a book, "Shoe Obsession," to accompany the exhibit. During a recent walk-through, the two spoke of designer shoes as the new millennium's "It" bag, which has not gone unnoticed by major department stores.

The flagship Macy's in Manhattan expanded floor space for shoes by 10 percent, boasting 250,000 pairs. Saks Fifth Avenue enlarged shoe departments in about a dozen stores around the country, with the Manhattan store's department 40 percent larger, spanning the entire eighth floor and hosting the first Louis Vuitton shoe shop within a department store.

Shoes by established designers and design houses — Manolo Blahnik, Salvatore Ferragamo, Roger Vivier, Chanel, Prada, Christian Louboutin — remain popular — obvi! — but quirky stars have arisen as quickly as heels have gone so high that 4 inches is the new "low," the two curators said.

The new design generation— Modernists Kei Kagami, with art pieces that take on an almost orthopedic terror, and Noritaka Tatehana, working in stamped leather, spikes and tall toe platforms absent a heel, stand out in a strong contingent from Japan.

Brazilian shoe designer Alexandre Birman lent the exhibit three pairs done in painted reptile skin.

"Shoes have a psychological, sociocultural and seductive significance to our culture, from the Hollywood celebrity to the everyday woman, which goes beyond a materialistic obsession," he said in an email.

The centuries have spawned many beautiful shoes, but the masses joining in a more recent phenomenon known as the "Sex and the City" effect continues to ripple in fashion.

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