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Oklahoma City Ballet embarks on exotic adventure with 'Mowgli — The Jungle Book Ballet'

Oklahoma City Ballet will stage the Southwestern premiere of “Mowgli — The Jungle Book Ballet,” a new ballet based on Rudyard Kipling's classic stories, Friday through Oct. 13 at the Civic Center Music Hall.
by Brandy McDonnell Published: October 6, 2013

The Oklahoma City Ballet is embarking on an exotic jungle adventure for the opening production of its 2013-14 season.

The company will stage the Southwestern premiere of “Mowgli — The Jungle Book Ballet” Friday through Oct. 13 at the Civic Center Music Hall.

“Our audience is getting something that has only been performed once before, earlier this year in Oregon, but not only that, I don't know that there's another ballet that exists of this story. So it's a pretty unique thing,” said Oklahoma City Ballet Artistic Director Robert Mills.

‘From the Page

to the Stage'

Toni Pimble, artistic director of the Eugene (Ore.) Ballet Company, choreographed and adapted the new ballet from Rudyard Kipling's classic stories in “The Jungle Book.” That made it an ideal opener for the Oklahoma City Ballet's new season, with its theme “From the Page to the Stage.”

Other productions planned for the season include “The Nutcracker,” “Carmen” and “Beauty and the Beast.”

“There's not many ballets that have a male hero. Ballet can be very female-centric ... so it's rare in that sense,” Mills said. “And I knew our principal dancer, Yui Sato, would do a really good job with it.”

The ballet was developed with children in mind, Pimble said, but she had no interest in recreating a cartoon.

“I think it's always important to get children in at some point during your season because they are your audience of the future,” she said.

Exotic visuals

Pimble worked with costume designer Jonna Hayden and mask designer Lynn Bowers to devise the extravagant outfits and headpieces that complement the story's Indian setting. Authentic saris bought at the Punjabi Market in Vancouver, British Columbia, provided the base fabric for many costumes.

“I wanted the costumes to be very exotic, because India is exotic and very bright and colorful,” Pimble said. “Classical Indian dance is very rich. There's seven or eight different styles, one of those being the Kathakali, which are these very, very overblown costumes with amazing makeup. I wanted to incorporate elements of that. So Baloo the bear looks more like a Kathakali dancer than a bear. He's got this huge headdress and ... this huge green bear mask.”

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by Brandy McDonnell
Entertainment Reporter
Brandy McDonnell, also known by her initials BAM, writes stories and reviews on movies, music, the arts and other aspects of entertainment. She is NewsOK’s top blogger: Her 4-year-old entertainment news blog, BAM’s Blog, has notched more than 1...
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