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Oklahoma City Ballet presents fully-staged production of “Swan Lake”

Oklahoma City Ballet brings its 2012-13 season to a close with a fully-staged production of Tchaikovsky's “Swan Lake.”
BY RICK ROGERS Modified: April 16, 2013 at 5:11 pm •  Published: April 14, 2013

The art of ballet dates more than four centuries but until the mid-1800s, a work's choreography was considered far more important than its music. That began to change when Tchaikovsky completed his ballet “Swan Lake” in 1876.

Though its Moscow premiere was poorly received, Tchaikovsky's ballet would soon become a repertory staple along with his subsequent “The Sleeping Beauty” (1889) and “The Nutcracker” (1892). Today, Tchaikovsky's three ballets are revered worldwide thanks to memorable scores that enhance the choreography and storytelling.

For the first time in its 41-year history, the Oklahoma City Ballet will present a fully-staged production of Tchaikovsky's complete “Swan Lake.” Company principals Yui Sato and Miki Kawamura will alternate with Houston Ballet guest artists Nao Kusuzaki and Christopher Coomer in the roles of Odile/Odette and Prince Siegfried.

“The story of ‘Swan Lake' is all about transformation,” said company artistic director Robert Mills. “The Oklahoma City Ballet has transformed over the past five years into a company capable of honoring the high art and transcendent power of this important ballet. Everyone who loves the performing arts should see ‘Swan Lake' at least once in their lifetime. The time is now for ballet in Oklahoma City.”

Joining the Oklahoma City Ballet for the company's season finale will be the Oklahoma City Philharmonic conducted by Joel Levine. The production features set design by Peter Dean Beck, of the Eugene, Ore., Ballet, and costume design by Lynn Bowers, Amy Panganiban and Michael Jones.

“This is a huge undertaking, not only because it is a big ballet — more than 40 performers with an orchestra in the pit — but also because ‘Swan Lake' is such an iconic piece of choreography,” Mills said. “There's so much expectation in terms of how well it's going to be staged and how closely you're going to follow the Petipa and Ivanov choreography.

“Arguably, it's classical ballet's most famous work and is often a defining moment for a company performing it for the first time. For the dancers and our board, there's huge excitement within the organization. I think it will change people's perceptions of how they view us.”

“Swan Lake” is a romantic tale of Siegfried, a prince who observes a swan transform into a beautiful woman. Under the spell of an evil sorcerer, Odette must remain a swan by day but is allowed to take human form at night. The spell can only be broken if a prince swears eternal fidelity to her.

The two fall in love but Siegfried later becomes entranced by the sorcerer's daughter Odile, who attends a party disguised as Odette. Only after Siegfried proposes is his mistake revealed. He makes a passionate apology to Odette but her fate is sealed.

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