France helped make the once-scandalous cancan famous while Italy gave the world the frenetic tarantella, two popular dance forms that will figure prominently on the Oklahoma City Ballet's upcoming triple bill.
“Paris Rouge,” a 2006 ballet choreographed by company artistic director Robert Mills when he headed Colorado's Ballet Nouveau, will be restaged for this production. Set in a chic cabaret in turn-of-the-20th-century Paris, the ballet thrusts a group of mismatched characters into an atmosphere of flirtation and jealousy.
Featuring music from Offenbach's “Gaite Parisienne” and “Orpheus and the Underworld,” the latter gaining notoriety for its sparkling cancan, “Paris Rouge” culminates with the cabaret star and her secret lover finally finding happiness.
Mills' choreography will also be spotlighted in an encore presentation of “Pushing Pennies,” a work he created in 2011 for this company. Using music from Philip Glass' “Violin Concerto No. 2” and his “String Quartet No. 3,” this abstract ballet was an experiment in controlled randomness.
The dancers' entrances, exits and the areas in which they perform on stage were decided by drawing numbers, each of which represented a stage quadrant or a wing leading to the offstage areas. It's the choreographic equivalent to the use of aleatoric or chance compositional practices.
The evening will open with the local premiere of August Bournonville's “Napoli Divertissements,” a series of dances drawn from the Danish choreographer's 1842 ballet “Napoli.”
Ballet master Jacob Sparso will stage the production, one noted for its leaps, intricate footwork and a concluding tarantella.
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