During Carolyn Hill’s final days on the job at the Oklahoma City Museum of Art, workers are busy replacing carpeting throughout the building’s hallways and lobbies.
Hill, who will retire as director this week, smiles as she explains the six-year-old carpeting was already worn out. Frank Hill, the museum’s trustees chairman (and no relation to Carolyn Hill), isn’t surprised by the last-minute flurry of activity.
"She wants that museum to be as beautiful as the first day it opened,” Frank Hill said. "She’s very demanding, but she’s fair.”
Frank Hill is part of a chorus of admirers who credit the retiring director with turning a fractured, anemic community arts organization into a regional attraction that drew 70,000 just for the Roman art exhibition.
"There are a lot of people who deserve substantial credit — the Kirkpatrick family, we couldn’t have done it without them, the Meade family, Chuck Nelson, the Payne family, George Records, the Inasmuch Foundation ... But she brought a lot of those people into the museum and developed those relationships. Without her, I really don’t think the museum would be what it is today,” Frank Hill said.
A musical beginning
After growing up in Oklahoma City, Hill spent 30 years in New York City where she started as a music teacher at a prestigious girls’ school and then taught at the United Nations International School and conducted orchestras both in New York City and in Europe.
After years of exposure to fine art at homes of some of New York City’s most influential families, Hill left teaching and opened an art gallery in the SoHo neighborhood. Throughout her years in New York City, Hill maintained ties to Oklahoma City, visiting her family every year. During those visits her parents showed off every new attraction.
And when her father and brother died, it was time to return home to Oklahoma City and take care of her aging mother.
Little did Hill know that she was about to take a failing, fractured art museum that was drawing a few hundred visitors a month, and turn it into a regional destination with prestigious exhibits drawing 130,000 people a year.
Shortly after Hill’s return in 1993, a chance encounter with Oklahoma City philanthropists John and Eleanor Kirkpatrick led to her taking the reins of the Oklahoma City Museum of Art a year later.