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Review: Racism fuels poignant 'Luck Of The Irish'

Published on NewsOK Modified: February 11, 2013 at 7:07 pm •  Published: February 11, 2013

NEW YORK (AP) — The old expression that an Irish person can "hold a grudge like a tomahawk" holds alarmingly true in Kirsten Greenidge's smart, affecting new play, ironically titled "Luck Of The Irish."

A suspenseful production of the bittersweet drama opened Monday night at the Claire Tow Theater, as part of Lincoln Center's LCT3 series showcasing emerging talent.

Two sets of events occur 50 years apart, thoughtfully staged by Rebecca Taichman with ghostly overlapping of the timeshifting scenes. In the late 1950s, with racism still prevalent in many American neighborhoods, an Irish-American couple in financial difficulties accepts money to purchase a large home in an all-white Boston suburb on secret behalf of a well-off, highly educated African-American doctor and his wife.

Fifty years later, the elderly Irish wife astounds the recently deceased black couple's grandchildren by claiming the house is really hers and they need to move out. The rest of the play tautly unravels the mystery of the missing house deed, but the drama is as much about belonging and ambition as it is about racism, poverty and envy.

There is humor and ease in the modern era, because Greenidge, who also wrote the edgy urban comedy "Milk Like Sugar," writes the way real people talk. Sentences run on or trail off, or both, and slang flows naturally. Greenidge also easily incorporates the undercurrents and stiff social conventions of the 1950s.

Marsha Stephanie Blake is feisty and emotional as Hannah, who recently moved into the house with her husband and hyperactive 10-year-old son to care for her dying grandmother. Incredibly, they are still the only black family in the area, and Blake gives a nuanced portrayal of an anxious mother increasingly stressed out by the home ownership issue and her son's social problems at his all-white school.

Amanda Quaid skillfully plays the resentful young 1950s Irish housewife, Patty Ann Donovan, her face often pursed-up with displeasure like she's sucking on a lemon. Jealously, Patty Ann holds onto the Taylors' deed as ransom for more money, even though the Taylors paid for the house and gave her husband a big fee besides. Quaid's tart Boston-Irish accent reflects Patty Ann's flinty personality, as she snaps out complaints and often bigoted, remarks to her henpecked husband.

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