Review: 'What Rhymes With America' is quirky fun

Published on NewsOK Modified: December 12, 2012 at 8:10 pm •  Published: December 12, 2012
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Seana Kofoed is endearingly childlike as emotionally stunted Lydia, a neurotic, 40-something medical writer. Lydia's awkward, almost-connecting date with Hank is a very funny, well-timed farce by Bauer and Kofoed.

Da'Vine Joy Randolph is a vibrant, sassy presence as Sheryl, Hank's supernumerary colleague. Incongruously garbed in their Viking/Valkyrie costumes, they discuss life's disappointments on cigarette breaks outside the opera house.

Randolph is initially both dignified and hilarious, especially when "OVERpreparing" for a big audition by rehearsing a dramatic Lady Macbeth speech. ("Go honey!" she says, channeling Lady Macbeth after Macbeth gets promoted to Thane of Cawdor.) Randolph has an almost-over-the-top meltdown when drama-queen Sheryl despairingly realizes her dream of becoming a star is slipping away.

All these messy emotions spill forth on a cool, austere gray set by Laura Jellinek, highlighted by metaphorical sight gags that include a papier-mache likeness of God's head, Lydia's ever-present orange ski hat, and a payphone with an improbably long cord that will never be long enough to reconnect Hank to Gina.

There may not be a word that rhymes with America, yet Gibson expertly illuminates the non-rhyming poetry within ordinary people desperate to figure out how to move forward.

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Online:

http://www.atlantictheater.org