On Monday night, Florence Rogers, a survivor of the April 19, 1995, Oklahoma City bombing, gently touched a battered letter “A” with her right index finger.
That letter, as well as others on the table before her, had spelled out the name on the Alfred P. Murrah Federal Building where she had worked.
“You know what I'm thinking when I do that, ‘Oh my God, it's a miracle, that I'm here today,'” said Rogers, who worked in the Federal Employees Credit Union.
The bombing resulted in the deaths of 168 people.
In May, the Oklahoma City National Memorial Foundation unveiled plans for an updated museum that foundation officials said will better tell the story of the bombing to all generations, through video technology and with items that were not previously available, including letters from the exterior of the Murrah Building.
The “9:03 Fund” was created to support this, and the project is in the early design and fundraising stages. However, on Monday night, with Rogers looking on, memorial officials announced that they have reached the halfway point in their $15 million campaign. About $5 million of the $15 million is being raised for capital improvements.
The announcement came as museum designers Patrick Gallagher and Michal Carr, along with architect Hans Butzer, gave tours to several of the original 350 members of the task force that helped create the memorial and museum and donors who have helped fund the privately funded memorial and museum and the 9:03 Fund Campaign.
The bombing of the Alfred P. Murrah Federal Building occurred at 9:02 a.m. April 19, 1995. At 9:03 that morning, the responsibility of remembering and educating began, said Kari Watkins, executive director of the Oklahoma City National Memorial & Museum.
The enhancements would include the scope of the criminal investigation surrounding the bombing and will be told through video, technology and artifacts, Watkins said. Many of these items were not available in the past because of the investigation.
Also with the enhancements, the museum will introduce more than 100 new storytellers through video and technology — including many of the prosecution and defense teams from the trials.
“This story also teaches the consequences of choices made, both good and bad, and visitors will see that throughout the museum,” Watkins said.
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