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The Byron Berline Band offered a fun bluegrass evening at Armstrong Auditorium

Byron Berline wove together tales of his long bluegrass history and good songs for his recent performance at Armstrong Auditorium.
by Lillie-Beth Brinkman Modified: April 9, 2013 at 3:42 pm •  Published: April 9, 2013

The Byron Berline Band made its bluegrass appearance at Armstrong Auditorium in far north Edmond Sunday night in front of a toe-tapping crowd that enjoyed its leader's stories about playing with music legends like Bob Dylan and corny jokes almost as much as the music.

The band opened with the fast-paced “I'm on my Way Back to the Old Home,” a tribute to bluegrass creator Bill Monroe, complete with a banjo solo and lots of applause, and Berline gradually introduced his band during the first several songs — Jim Fish on guitar, Greg Burgess on fiddle and guitar, Richard Sharp on bass, John Hickman on banjo and Steve Short on drums.

The concert played out in the formal grandeur of the Armstrong setting, but the tone set by Berline and his crew was true bluegrass friendly — the group even came out to talk with fans during the intermission.

By the second song, Berline introduced guest Barry “Bones” Patton as one who was “going to steal the show” by playing rhythms using two rib sticks cracking together like maracas. Wearing a black hat and shirt and blue jeans, Patton had intermittent solos that added some additional showmanship to the songs as he kicked his knees and danced while clicking the ribs to the music.

Berline's third song came from the Beatles — “Here Comes the Sun” — bluegrass style. It featured two guitars, solos by Berlin on the mandolin and Hickman on the banjo, bass plucking and the bones. It was also fun to hear the bluegrass version of another song from the rock 'n' roll world — Dylan's “Knockin' on Heaven's Door.”

Throughout the evening, Berline sang, played the mandolin and fiddle and highlighted solos by members of his group as he worked in a little bluegrass history and his own stories, such as those about making music for the movie “Pat Garrett and Billy the Kid” with Bob Dylan and playing with Monroe and the Byrds. He noted that bluegrass typically doesn't include percussion, but the drums added another layer of interesting sound to the talents of the band.

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by Lillie-Beth Brinkman
Lillie-Beth Brinkman is a Content Marketing Manager for the Greater Oklahoma City Chamber of Commerce. She was previously an assistant editor of The Oklahoman
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