It was that easy: Stuart woke up one day thinking about how stylish British model Stella Tennant and her friends were, so Stuart thought she would create a wardrobe just for them.
She aimed to dress an aristocratic fashion risk-taker for all those parties at castles in the English countryside.
"I was thinking about the beautiful dinners and the charades she and her friends play, and the great performances they see at the end of the night," Stuart said backstage.
Her offerings include a plum-colored halter dress covered in satin flowers, a more tailored dress in black wool with more sharply cut flowers, and a white sheer man-tailored shirt paired with black evening shorts and a full-cut long black coat.
Miller's collection was called "Menswear With a Twist: Raiding the Boyfriend's Closet."
It was the good girl meets bad boy, packing a wardrobe of tough leather jackets, pleated skirts and several fedoras for the adventure. No apologies to mom.
There were particularly short knit dresses and a skin-hugging corset dress in a print called "tatooage," which looked exactly as it sounds.
And there were outfits more in line with what's expected from Miller, including a long dress in a wallflower print with a ruffle front and a stretch-denim dress with sexy net inserts.
The black matte-jersey, floor-length dress, with a dropped leather waist and notched V neck, that closed the show was the right high note to leave on.
But where Miller saw "golf pants" on a pair of loose baggy trousers paired with a burned out velvet-and-georgette blouse, the audience might have seen glorified sweats.
Minkoff named her colors after planets and other spacey things.
A winter white was "Saturn" and used for a leather motocross jacket. The color caramel became "eclipse" for a leather duffel coat.
Minkoff put a twist on the colorblocking trend that has been around now a few seasons by mixing chunks of different textures instead of contrasting hues. That technique was also seen on the runways of Jason Wu and Nicole Miller.
Minkoff's soft-line exaggerated shoulder, instead of the aggressive ones that were so popular on the runways a few years ago (and in the 1980s), also turned up elsewhere.
The collection "embarks on a voyage to the future, marrying modern, spacesuit-like construction details and a new sophisticated grunge attitude," Minkoff wrote in her notes.
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