'Girl Who Played With Fire' labors under middle-child syndrome
Fueled by copious jolts of strong coffee and propelled by the chilly — and chilling — Nordic sensibility of its late creator, Stieg Larsson , " The Girl Who Played With Fire ” delivers an appropriately pulpy if not wholly fulfilling second cinematic chapter in the author's hugely popular "Millennium” trilogy.
Not as grippingly seductive or fully creepy as Niels Arden Oplev's " ...
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